Semi Truths A highly irregular weblog dedicated to Truth, Justice, and American Cheese…!

January 24, 2003

THE OLD SOLDIER

Filed under: Uncategorized — semi @ 1:34 pm

I always wanted to be a cartoonist. As a child, I spent many hours painstakingly copying the simple lines and flourishes of the illustrators I admired the most: Al Hirschfeld, Jules Feiffer, and Charles Schultz. It was in Peanuts that I first heard the name Bill Mauldin; every year on Veteran’s Day, Schultz would do a Mauldin tribute. As I explored his work, I too became a fan.

mauldinFor a generation of men who fought in WWII, Bill Mauldin’s cartoons in Stars & Stripes — particularly Willie and Joe, the immortal infantrymen — depicted their own soldiering experience: downtrodden, grubby, often dazed, but always ready to hike into the mud and do their job. Mauldin’s seemingly anti-authoritarian views often got him in trouble with the Army brass. At one point, he was called into a private meeting with General Patton, who is reported to have yelled “What are you trying to do, incite a goddamn mutiny?” Mauldin wrote that he marched out of the room feeling like he had an agreement with the General, and he went right on creating his cartoons his own way. In 1945, he published a collection of his WWII cartoons, Up Front With Mauldin, which garnered him the Pulitzer prize.

After the war, he returned home and created more cartoons attacking the issues that moved him the most, particularly racism and McCarthyism. At the time, his views were too radical for many papers, and he retired from cartooning for nearly ten years. Eventually, the rest of the country caught up with him and he picked up his pen again, going on to win a second Pulitzer prize. He continued his work as a political cartoonist until 1992. Bill Maudlin died of respiratory failure at a nursing home in California on January 22nd. He was 81 years old.

THE LINE KING

Filed under: Uncategorized — semi @ 12:55 pm
Hirschfeld self-portrait

Hirschfeld self-portrait

Three notable American’s left us this week, and with each passing a chapter of history has been written. Al Hirschfeld is somebody I would have liked to meet. Since the 1920’s — and right up until just a few weeks ago — his elegant and witty portraits of celebrities and statesmen graced the pages of the New York Times. For many people, his style evokes New York. The Margo Feiden Galleries, exclusive agent for his work, kept its warehouse just around the corner from where I used to work in Greenwich Village. I would pass by nearly every day and never failed to stop and appreciate the drawings. I admired him immensely.

More than just a chronicler of history, his unique style elevated him to iconic status. Few people have lived the span he did, let alone maintained such a level of influence for so long. Seeing a Hirschfeld drawing in the theater section of the Times — and counting the “Ninas” — has been a ritual comfort and a source of entertainment for generations of readers. His first published drawing was of the French actor Sacha Guitry in 1926; the last piece published in the Times while he was still alive was a portrait of Tommy Tune. Hirschfeld passed away on January 20 at the age of 99.

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